Apple Martin’s Vanderbilt Romance Has a Name
Apple Martin’s private college romance now has a name. Page Six reports that the daughter of Gwyneth Paltrow and Chris Martin has been dating Moshe Levi since at least their Vanderbilt University days.
The timeline is the most solid piece of the story: Martin and Levi both attended Vanderbilt and have since graduated. Page Six describes Levi as roughly a year older; he completed his undergraduate studies in April after focusing on economics and business, while Martin finished in May with a degree in law, history and society.
Levi’s résumé is unusually international for a celebrity-adjacent boyfriend reveal. Before Vanderbilt, he attended Radley College in England, where he played competitive soccer and cricket, and previously spent two years at the bilingual International School of Monaco. He speaks English, Spanish, French and some Italian, according to the report.
There is also a philanthropy angle that gives this more shape than a standard famous-family relationship item. In 2019, Levi and his Peruvian family launched MOSHA, a nonprofit focused on expanding educational opportunities for underprivileged children in Peru. His mother, Orly Mekler, runs the Peru-based Global Mindfulness Group, adding another wellness-world connection to a family already familiar with lifestyle branding through Paltrow’s Goop.
Martin, meanwhile, is building a public profile of her own. She has appeared in several fashion campaigns and told Vogue in February that acting is her ambition. Her first screen role is set to arrive in Nancy Meyers’ forthcoming romantic comedy Paris Paramount, making the timing of this reveal particularly tidy: one new name in her personal life, one very visible next chapter in her career.
Still, the romance itself comes from one report, not a public confirmation from Martin or Levi. That makes this a credible-looking identification rather than a fully verified celebrity announcement. The appeal is the contrast: a low-profile relationship with a long college history, attached to two people whose family and future career paths are anything but ordinary.
Watch Tyla’s New Music Video for KISS | Vevo Official Live Performance
Tyla has released the official music video for KISS | Vevo Official Live Performance, giving fans a fresh release to watch straight from the verified YouTube source.
The upload comes from TylaVEVO, and the full official video is embedded below. BAD GOSS only routes Music Desk releases through this lane after the upload clears its official-channel and relevance checks, so the video itself is the primary receipt rather than a repost or fan upload.
Hit play below to watch the official release. BAD GOSS will keep the Music Desk moving as new verified videos land, with the newest qualifying releases prioritized for the site’s Music coverage.
Nicole Kidman’s Oscar Night Felt Strikingly Empty
Nicole Kidman had the gold statue, the career validation and one very unwelcome feeling: nobody special to celebrate with. Speaking on Jake Shane’s “Therapuss” podcast, Kidman recalled going home after winning the 2003 Best Actress Oscar and feeling “beyond lonely.”
Kidman won for playing Virginia Woolf in The Hours, the kind of career milestone Hollywood treats as a permanent victory lap. But her private reality was far less polished. She said she was grateful for the win while still wishing she had a partner beside her—someone who could make the night feel like real life rather than an industry spectacle.
The timing gives the memory its extra sting. Kidman and Tom Cruise had split in 2001, two years before her Oscar victory. Her comments, as reported by Page Six, frame the loneliness as a broader personal reckoning rather than an accusation aimed at her former husband. The point was not that the award failed her; it was that professional success could not supply the intimacy she wanted.
Kidman described the moment as a wake-up call, saying she realized she needed to build a life beyond achievement. She also recalled wanting to skip the Vanity Fair party instead of extending the evening, a detail that makes the story feel less like a glamorous Oscar anecdote and more like an unusually candid admission about the limits of public celebration.
This is not the first time Kidman has described that disconnect. In 2024, she told author Dave Karger for 50 Oscar Nights that her personal life was difficult while her career was thriving. The repeated account lends the memory consistency, even though the latest version remains a report of remarks made on a podcast rather than independently verified material.
BAD GOSS read: The headline-worthy detail is not the Oscar itself. It is Kidman admitting that the industry’s highest prize could not quiet the most ordinary craving in the room: having someone to come home to.