Jane Fonda’s Billionaire Roast Has One Target: Immortality
Jane Fonda is not interested in flattering the ultra-rich. According to coverage from Us Weekly and The Hollywood Reporter, Fonda criticized billionaires and “tech bros” over what she characterized as a desire to live forever.
The reported remarks went beyond a general swipe at wealth. The Hollywood Reporter identified the target group as “tech bros, oligarchs and billionaires,” while also reporting Fonda’s colorful prediction about robots becoming “their babies.” That gives the moment a distinctly Fonda flavor: less boardroom critique, more full-body rejection of the fantasy that money can eventually purchase a loophole around mortality.
There is no named billionaire feud here, and the supplied reporting does not identify a specific person Fonda was addressing. That matters. This is not a personal takedown of one mogul or a claim about a private relationship; it is a broadside aimed at a recognizable class of powerful people and its most futuristic ambitions.
The appeal of the story is the collision of celebrity candor and Silicon Valley-scale aspiration. Billionaires seeking longer lives is already a familiar subject, but Fonda’s framing turns the conversation from “Can technology extend life?” to “What kind of world would these people build if they could?” The robot-baby line pushes that critique into satire, making the reported comments memorable rather than merely predictable.
With two outlets in the story cluster carrying the same basic account, the remarks look more substantial than a stray internet rumor. Still, the available facts establish reported commentary—not a new campaign, a specific policy fight or a confirmed personal conflict. The headline-worthy development is Fonda’s blunt positioning: she is mocking the immortality project, not auditioning for it.
Jason Kelce’s College Photos Lose the Beard
Jason Kelce’s beard has become so closely tied to his public image that old college photos are now doing the celebrity equivalent of a double take. E! News reports that throwback images of the former Philadelphia Eagles center show him without the scruffy facial hair fans know today.
The timing gives the photo revival a neat little headline: Kelce is approaching induction into the University of Cincinnati’s Hall of Fame, bringing attention back to the school where his football story began. That makes the images more than a random trip through the archives. They are being revisited as part of a look back at Kelce before the fame, the Eagles career and the instantly recognizable beard.
Page Six has also covered the same college-era photos, giving the appearance story a second entertainment-news source. The shared hook is straightforward but effective: remove the beard, and Kelce looks markedly different from the familiar version who became one of football’s most recognizable personalities.
There is no larger scandal hiding in the photo album, and that is precisely why the story works as light celebrity nostalgia. Kelce’s changing look is the entire occasion, with the Hall of Fame milestone supplying the timely reason to revisit it. The contrast also underlines how much a single grooming choice can become part of a celebrity’s visual branding.
BAD GOSS read: this is a real throwback-photo curiosity with a legitimate news peg, not a dramatic revelation. The beard may be gone in the college snapshots, but the nostalgia has arrived right on schedule.
Christopher Lloyd and Danny Zuker Bring Mammoth to Fox
Christopher Lloyd and Danny Zuker are heading back into the comedy business together, this time with Mammoth, a new series headed to Fox. The project is slated for the network’s 2027-28 season, so this is a real booking with a decidedly patient rollout—not a show arriving next month to hijack everyone’s group chat.
The Hollywood Reporter first reported the project, and related coverage from Variety and Deadline also identifies Mammoth as a Fox comedy from the pair. That cross-publication agreement gives the news more weight than a single trade exclusive floating through the industry rumor mill.
The title comes with one important qualifier: Mammoth is based on a British series. In other words, Fox is importing an existing format rather than launching a wholly original American concept from Lloyd and Zuker. That makes the adaptation itself part of the story. The creative challenge will be translating the source material for a U.S. audience while giving the series enough personality to feel like more than a polished transplant.
Lloyd and Zuker are being presented in the coverage as a Modern Family-linked comedy duo, which gives the project an immediately recognizable television pedigree. But the available reporting does not yet provide a cast, episode count, detailed premise or specific premiere date. The 2027-28 window is the firm scheduling information currently attached to the series, leaving Fox plenty of time to fill in the blanks.
That long runway also means Mammoth is an early piece of Fox’s future comedy strategy, not an instant test of the network’s current lineup. For now, the hook is clean: a familiar comedy team, a British format and a Fox order with enough time for the adaptation to become either a smart refresh or a very expensive translation exercise.