Watch Tyla’s New Music Video for KISS | Vevo Official Live Performance
Tyla has released the official music video for KISS | Vevo Official Live Performance, giving fans a fresh release to watch straight from the verified YouTube source.
The upload comes from Tyla, and the full official video is embedded below. BAD GOSS only routes Music Desk releases through this lane after the upload clears its official-channel and relevance checks, so the video itself is the primary receipt rather than a repost or fan upload.
Hit play below to watch the official release. BAD GOSS will keep the Music Desk moving as new verified videos land, with the newest qualifying releases prioritized for the site’s Music coverage.
Watch Tinashe’s New Music Video for Pillow Fight
Tinashe has released the official music video for Pillow Fight, giving fans a fresh release to watch straight from the verified YouTube source.
The upload comes from Tinashe, and the full official video is embedded below. BAD GOSS only routes Music Desk releases through this lane after the upload clears its official-channel and relevance checks, so the video itself is the primary receipt rather than a repost or fan upload.
Hit play below to watch the official release. BAD GOSS will keep the Music Desk moving as new verified videos land, with the newest qualifying releases prioritized for the site’s Music coverage.
Cindy Crawford Wanted Control, Not Money, From Playboy
Cindy Crawford is looking back at the career choices that made her famous—and the family dynamics that come with being one of fashion’s most recognizable names. In a new PORTER cover interview highlighted by Just Jared, the 60-year-old supermodel discussed posing for Playboy, being compared with daughter Kaia Gerber and adjusting to a quieter household with husband Rande Gerber.
Crawford’s Playboy explanation is less about shock value than leverage. She said that when she first agreed to pose, her priority was not the money; it was having control over the final product. That meant approval of the images and even the ability to stop the story from being published if she disliked the result.
That detail gives the decision a distinctly Crawford-shaped logic: the risk was real, but so was the negotiation power. Rather than presenting the shoot as a passive milestone in a model’s career, she described it as a deal structured around creative control. Readers can still debate the choice, but Crawford’s own account makes clear that she was focused on who held the power.
She was equally candid about the constant comparisons between herself and Kaia. Crawford said the resemblance and professional parallels do not bother her, while acknowledging that having a famous mother can bring irritating complications for Kaia alongside its obvious advantages. That is a more layered take than the usual mother-daughter fashion headline: pride and pressure can occupy the same dressing room.
The pair’s 2017 appearance in a Versace show is Crawford’s example of the upside. She described it as a moment when each woman was there on her own professional terms—not simply as mother and daughter sharing a spotlight. That distinction matters, especially when Kaia’s career is so often read through Crawford’s legacy.
Crawford also discussed parenting lessons from her own mother and the transition she and Rande are navigating as empty nesters. The interview’s through line is control: over images, over identity and, where possible, over the story attached to a famous family.